Art and Death in Southern Côte d’Ivoire
by Robert Soppelsa
US State Department / Art in Embassies (formerly Washburn University)
This is an Anyi male figure. He has the typical ringed neck of Anyi mma (present in all Akan terracotta portraits and in most Akan wooden figurative sculpture as well). This indicates well-being and prosperity. This man also wears a metal hat (bulalè-kèlè in Anyi), which marks him as a man of high status in Anyi society. His body is typical of the bodies of many Akan terracotta figures: short, outstretched arms, a cylindrical torso, and very small or absent feet. The small points at the corners of his mouth represent a moustache, the marks on his cheeks and forehead are scarification, and his necklace and hat are also markers of individuality. All these are elements of portraiture in Akan terracottas. The Akan say these sculptures are like “photos” of the deceased. Rather than physical likenesses, the sculptures present the social, political and historical identities of their subjects.