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MacGaffey, Wyatt. "Fetishism Revisited: Kongo Nkisi in Sociological Perspective."  Africa.  Vol. 47, No. 2, 1977, pp. 172-84.
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MacGaffey, Wyatt. Art and Healing of the BaKongo Commented by Themselves: Minkisi from the Laman Collection.  Folkens museum-ethnografiska:  Stockholm,  1991.
MacGaffey, Wyatt. Custom and Government in the Lower Congo.  University of California Press:  Berkeley and Los Angeles,  1970.
MacGaffey, Wyatt. Religion and Society in Central Africa: The Bakongo of Lower Zaire.  University of Chicago Press:  Chicago,  1986.
Mack, John, editor.  Masks: The Art of Expression.  British Museum Press:  London,  1994.
Mack, John. "Animal Representations in Kuba Art: An Anthropological Interpretation of Sculpture."  Oxford Art Journal.  Vol. 4, No. 2, 1981, pp. 50-56.
Mack, John. Madagascar, Island of the Ancestors.  British Museum:  London,  1986.
Mack, John. Zulus.  Silver Burdette:  Morristown, N. J.,  1981.
Maes, Joseph and Olga Boone. Les Peuplades du Congo Belge.  Musée Royale de l'Afrique Centrale:  Brussels,  1935.
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Mainga, Mutumba. Bulozi under the Luyana Kings: Political Evolution and State Formation in Pre-Colonial Zambia.  Longmans:  London,  1973.
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Manoukian, Madeline. The Ewe-Speaking People Togoland and the Gold Coast.  International African Institute:  London,  1952.
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Marchand, Trevor. The Masons of Djenné. Bloomington: Indiana University Press.
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Marwick, M. G. Sorcery in its Social Setting: A Study of the Norhtern Rhodesia Cewa.  Manchester University Press:  Manchester,  1965.
Mato, Daniel, and Charles Miller III. Sande: Masks and Statues from Liberia and Sierra Leone.  Galerie Balolu:  Amsterdam,  1990.
Matter, Michael Leonard. The Dual Nature of Mwana Hiti.  The University of Iowa:  Master of Arts Thesis.  1991.
Maurer, Allen F. Roberts and Evan. Tabwa: The Rising of a New Moon: A Century of Tabwa Art.  The University of Michigan Museum of Art:  Ann Arbor,  1985.
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Maurer, Evan. The Intelligence of Forms: An Artist Collects African Art.  The Minneapolis Institute of Arts:  Minneapolis,  1991.
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McClusky, Pamela. Praise Poems: the Katherine White Collection.  Seattle Art Museum:  Seattle, Washington,  1984.
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McCulloch, Merran. The Ovimbundu of Angola.  International African Institute:  London,  1952.
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Melland, Frank Hulme. In Witch-Bound Africa: An Account of the Primitive Kaonde Tribe and their Beliefs.  Frank Cass & Co., Ltd.:  London,  1967.
Memmi, Albert. "On Dit La Mer, On Dit Le Soleil."  African Arts.  Vol. 1, No. 1, 1967, pp. 14-15.
Menzel, Brigitte. Goldgewichte aus Ghana.  Museum für Völkerkunde:  Berlin,  1968.
Menzel, Brigitte. Textilien Aus Westafrika.  Museum für Völkerkunde:  Berlin,  1972-73.
Merlet, Annie. Autour du Loango, XIV-XLX siècle : Histoire des peuples du sud-ouest du Gabon au temps du royaume de Loango et du "Congo français".  Centre cultural français Saint-Exupéry-Sepia:  Libreville,  1991.
Merriam, Alan P. African Music in Perspective.  Garland:  New York,  1982.
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Merriam, Alan. An African World.  Indiana University Press:  Bloomington,  1974.
Messenger, John C. The Carver in Anang Society.  Indian University Press:  Bloomington,  1973.
Mestach, J. W. Songye Studies: Form and Symbolism.  Galerie Fred Jahn:  Munich, Germany,  1985.
Meur, Charles. "Annaherung an die Amskenschnitzerei Tanzanias mist Ausnahme des Sudostens."  in Tanzania: Meisterwerke Afrikanischer Skulptur, J. Jahn, ed.  Haus der Kulturen der Welt and Kunstbau Lenbachhaus:  Berlin and Munich,  1994.
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Middleton, John, editor.  The Central Tribes of the North-Eastern Bantu: The Kikuyu, including Embu, Meru, Mbere, Chuka, Mwimbi, Tharaka, and the Kamba of Kenya.  The International African Institute:  London,  1953.
Middleton, John. Lugbara Religion: Ritual and Authority among an East African  People.  Oxford University Press for the International African Institute:  London,  1960.
Middleton, John. The World of Swahili: An African Mercantile Civilization.  Yale University Press:  New Haven,  1992.
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Misago, Alois. Konzeptuelle Metapher und soziale Organisation bei den Rundi in Ostafrika.  Koster:  Berlin,  1994.
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