G-H

Source
Gabreyesu, Hailemariam. The Gurague and their Culture.  Vantage Press:  New York,  1991.
Gabus, Jean. Les Touregs.  Musée d'ethnographie:  Neuchatel,  1971.
Gagern, Axel von, Hans-Joachim Koloss, and Wulf Lohse. Ostafrika: Figur und Ornament. Hamburg: Museum für Völkerkunde, 1974.
Gallois-Duquette, Danielle. "Woman Power and Initiation in the Bissagos Islands."  African Arts.  Vol. 12, No. May, 1979, pp. 31-34.
Gamble, David P. The Wolof of Senegambia, together with notes on the Lebu and the Serer.  International African Institute:  London,  1957.
Gardi, Bernhard. Mali: Land im Sahel.  Begleitschrift zur Ausstellung für Völkerkunde Basel.  Das Museum:  Basel,  1988.
Gardi, Bernhard. Zaire: Masken und Figuren.  Museum für Völkerkunde:  Basel,  1986.
Garlake, Peter S. Great Zimbabwe.  Stein and Day:  New York,  1973.
Garlake, peter S. Kingdoms of Africa.  Peter Bedrick Books:  New York,  1990.
Garlake, Peter S. The Hunter's Vision: The Prehistoric Rock Art of Zimbabwe.  University of Washington Press:  Seattle,  1995.
Garlake, Peter. "Excavations of Obalara's Land, Ife: an Interim Report."  West African Journal of Archaeology.  Vol. 4, 1974, pp. 111-148.
Garrard, Timothy F. "Figurine Cults of the Southern Akan."  in Iowa Papers in African Art, C. D. Roy, ed.  School of Art and Art History at The University of Iowa:  Iowa City,  1981.  pp. 167-190.
Garrard, Timothy F. Gold of Africa.  Prestel-Verlag:  Geneva,  1989.
Gauthier, J. G. Archéologie du pays Fali, nord Cameroun.  Éditions du centre national de la recherche scientifique:  Paris,  1979.
Geary, Christaud M. "Bamum Thrones and Stools."  African Arts.  Vol. 14, No. August, 1981, pp. 32-43, 87-88.
Geary, Christaud M. Images from Bamum: German Colonial Photography at the Court of Njoya, Cameroon, West Africa, 1902-1915.  Smithsonian Institution Press:  Washington D. C.,  1988.
Geary, Christaud. The Voyage of King Njoya's Gift: A Beaded Sculpture from the Bamum Kingdom, Cameroon.  Smithsonian Institution Press for the National Museum of African Art:  Washington D. C.,  1994.
Geary, Christaud. Things of the Palace.  Franz Steiner Verlag:  Wiesbaden, Germany,  1983.
Gebauer, Paul. "Architecture of Cameroon."  African Arts.  Vol. 5, No. Autumn, 1971, pp. 28-35.
Gebauer, Paul. "Art of Cameroon."  African Arts.  Vol. 4, No. Winter, 1971, pp. 24-35.
Gebauer, Paul. "Cameroon Tobacco Pipes."  African Arts.  Vol. 5, No. Winter, 1972, pp. 28-35.
Gebauer, Paul. Art of Cameroon.  Portland Art Museum, in association with the Metropolitan Museum of Art:  Portland, Oregon,  1979.
Gebauer, Paul. Spider Divination in the Cameroons.  Public Museum:  Milwaukee,  1964.
Geis-Tronich, Gudrun. Materielle Kultur der Gulmance in Burkina Faso.  Franz Steiner:  Stuttgart,  1991.
Gelfand, Michael. An African's Religion: The Spirit of Nyajena, Case History of a Karanga People.  Juta:  Cape Town,  1966.
Geluwe, Huguette Van, editor.  Les Bali et les Peuplades Apparentées (Ndaaka-Mbo-Beke-Lika-Budu-Nyari).  The International African Institute:  London,  1960.
Geluwe, Huguette van, editor.  Les Bira et les Peuplades Limotrophes.  International African Institute:  London,  1957.
Geluwe, Huguette Van. "Half- Bell Shaped Mask Mvondo."  in Twenty-five African Sculptures, J. Fry, ed.  Ottawa,  1978.
Gendreau, André, and Marie Dufour. Nomades.  Fides:  Saint-Laurent, Quebec,  1991.
Gennep, Arnold van. Les rites de passage.  Nourry:  Paris,  1909.
Germann, P. "Negerplastiken aus dem Museum für Völkerkunde zu Leipzig."  in Beiträge zur Afrikanischen Kunst.  Leipzig,  1958.
Germann, P. "Zauberglaube und Mannbarkeitsfeiern bei den Wapare, Deutsch-Ost-Afrika."  Jahrbuch des Städtischen Museums für Völkerkunde Leipzig.  Vol. 5, 1911.
Germann, P. Volksbuch der Dschagga.  Leipzig,  1914.
Gerster, Georg. Churches in Rock: Early Christian Art in Ethiopia.  Phaidon:  London,  1970.
Gervas, Clay. Your Friend, Lewanika.  Chatto & Windus:  London,  1968.
Geschiere, Peter. Sorcellerie et politique en Afrique: La viande des autres.  Karthala:  Paris,  1995.
Gessain, Monique, and Marie-Therese Lestrange, editor.  Tenda 1980: Badyaranke, Bassari, Bedik, Boin, Coniagui.  Société des africanistes:  Paris,  1980.
Ghaidan, Usam I. "Swahili Art of Lamu."  African Arts.  Vol. 5, No. 1, 1971, pp. 54-57, 84.
Ghaidan, Usam I. "Swahili Plasterwork."  African Arts.  Vol. 6, No. 2, 1973, pp. 46-49.
Gibbons, Alfred St. Hill. Exploration and Hunting in Central Africa 1895-1916.  Methuen & Co.:  London,  1898.
Gibbs, James L., editor.  Peoples of Africa.  Holt, Rinehart and Winston:  New York,  1965.
Gilbert, Michelle. "Aesthetics Strategies: The Politics of a Royal Ritual."  Africa.  Vol. 64, No. 1, 1994, pp. 99-125.
Gilbert, Michelle. "Akan Terracotta Heads: Gods or Ancestors?."  African Arts.  Vol. 22, No. 4, 1989, pp. 34-43, 85, 86.
Gilbert, Michelle. "The Cimmerian Darkness of Intrigue: Queen Mothers, Christianity and Truth in Akuapem History."  Journal of Religion in Africa.  Vol. XXIII, No. 1, 1993, pp. 2-43.
Gilbert, Michelle. "The Leopard Who Sleeps in a Basket: Akuapem Secrecy in Everyday Life and in Royal Metaphor."  in Secrecy: African Art that Conceals and Reveals, M. H. Nooter, ed.  Museum for African Art and Prestel:  New York,  1993.
Gilbert, Michelle. "The Person of the King: Ritual and Power in a Ghanaian State."  in Rituals of Royalty: Power and Ceremonial in Traditional Societies, D. Cannadine, and Simon Price, ed.  Cambridge University Press:  Cambridge,  1987.
Gilfoy, Peggy Stoltz. Patterns of Life: West African Strip-Weaving Tradition.  Smithsonian Institution Press:  Washington D. C.,  1987.
Gillon, Werner. Collecting African Art.  Rizzoli:  New York,  1980.
Gilombe, Mudiji Malamba. Le langage de masques africains: Étude des formes et fonctions symboliques des "Mbuya" des Phende.  Facultés catholiques de Kinshasa:  Kinshasa,  1989.

Gilombe, Mudiji-Malamba. Formes et fonctions symboliques des masques mbuya des Phende: Essai diconologie et herméneutique. Recherches philosophiques africaines 15, Facultés catholiques de Kinshasa. 

Glaze, Anita. "'The Children of Poro': A Re-examination of the Rhythm-Pounder in Senufo Art: Its Form and Meaning."  Connaissance des Arts Tribaux.  Vol. 20, 1983, pp. 1-6.
Glaze, Anita. "Senufo Ornament and Decorative Arts."  African Arts.  Vol. 12, No. November, 1978, pp. 63-71, 107-108.
Glaze, Anita. "Woman Power in a Senufo Village."  African Arts.  Vol. 8, No. Spring, 1975, pp. 64-68, 90-91.
Glaze, Anita. Art and Death in a Senufo Village.  Indiana University Press:  Bloomington,  1981.
Gluckman, Max. Essays on Lozi Land and Royal Property.  Rhodes-Livingston Institute:  Livingston,  1943.
Gluckman, Max. Order and Rebellion in Tribal Africa.  Cohen & West:  London,  1963.
Gluckman, Max. Politics, Law and Ritual in Tribal Society.  Aldine Publishing Company:  Chicago,  1965.
Gluckman, Max. The Ideas in Barotse Jurisprudence.  Manchester University Press, on behalf of The Institute for African Studies, University of Zambia:  Manchester, MI,  1972.
Gnonsoa, Angèle. Le ministère des affaires culturelles présente Masques de lOuest ivoirien.  MAC/CEDA:  Abidjan,  1985.
Goemaere, Alphonse. Notes sur l'histoire, la religion, les institutions sociales et la jurisprudence chez les Ndengese et les Ohende (République du Zaire).  CEEBA:  Bandundu,  1988.
Gohring, Heinz. Baluba.  Verlag Anton Hain:  Meisenheim and Glan, Germany,  1970.
Goldschmidt, Walter. Sebei Law.  Universtiy of California Press:  Berkeley and Los Angeles,  1967.
Goldschmidt, Walter. The Culture and Behavior of the Sebei: A Study in Continuity and Adaptation.  University of California Press:  Berkeley and Los Angeles,  1976.
Goldwater, Robert John. Senufo Sculpture from West Africa.  Greenwich, Connecticut: Distributed by New York Graphic Society,  1964.
Goldwater, Robert. Bambara Sculpture from the Western Sudan.  The Museum of Primitive Art:  New York,  1960.
Gollbach, Friedrich. Leben und Tod bei den Tswana: Das Traditionelle Lebens und Todesverständnis der Tswana im Südlichen Afrika.  D. Reimer:  Berlin,  1992.
Goody, Esther N. Contexts of Kinship: An Essay in the Family Sociology of the Gonja of Northern Ghana.  Cambridge University Press:  Cambridge,  1973.
Goody, Jack. Death, Property, and the Ancestors: A Study of the Mortuary Customs of the LoDagaa of West Africa.  Stanford University Press:  Stanford,  1962.
Goody, Jack. Religion, Morality and the Person: Essays on Tallensi Religion.  Cambridge University Press:  Cambridge,  1987.
Goody, Jack. The Social Organization of the LoWili.  Oxford University Press for the International African Institute:  London,  1967.
Gottschalk, Burkhard. Madebele: Buscheister im Land der Senufo.  B. Gottschalk:  Meerbusch,  1988.
Graburn, Nelson H., editor.  Ethnic and Tourist Arts.  University of California Press:  Berkeley, Los Angeles and London,  1976.
Gray, J. "A Journey by Land from Tete to Kilwa in 1616."  Tanzania Notes and Records.  Vol. 25, No. June, 1945.
Gray, M. St. G. "Tribal Legend and History: The Story of the Crossing of Lake Jippe."  Tanganyika Notes and Records.  No. 22, December, 1946, pp. 87-8.
Griaule, Marcel and Germaine Dieterlen. The Pale Fox.  Continuum Foundation:  Chino Valley (AZ),  1986, 1965.
Griaule, Marcel. Conversations with Ogotommeli: An Introduuction to Dogon Religious Ideas.  Oxford University Press for the International African Institute:  London,  1965, 1970.
Griaule, Marcel. Folk Art of Black Africa.  Tudor Publishing Company:  New York,  1950.
Griaule, Marcel. Masques Dogon.  Institut d'Ethnologie:  Paris,  1938.
Grierson, Roderick, editor.  African Zion: The Sacred Art of Ethiopia.  Yale University Press:  New Haven,  1993.
Grinker, Roy R. Houses in the Rainforest: Ethnicity and Inequality among Farmers and Foragers in Central Africa.  University of California Press:  Berkeley and Los Angeles,  1994.
Grootaers, Jan-Lodewijk, and Ineke Eisenburger. Forms of Wonderment. Vol. 2. Berg en Dal, The Netherlands: Africa Museum, 2002.
Grottanelli, Vinigi L. "Somali Wood Engravings."  African Arts.  Vol. 1, No. 3, 1968, pp. 8-13, 72-73.
Grüb, Andreas. The Lotuho of the Southern Sudan: An Ethnological Monograph.  Franz Steiner:  Stuttgart,  1992.
Grunne, Bernard de. Figurliche Terrakotten aus dem Gebiet des Niger-Binnendeltas in MAli.  Fred Jahn Munchen:  Munich,  1982.
Gubert, B. "Three Songye and Kongo Figures."  African Arts.  Vol. 15, No. 1, 19, pp. 46-48, 87.
Gulliver, P. H. "A Tribal Map of Tanganyika."  Tanganyika Notes and Records.  1955, pp. 61-74.
Gulliver, P. H. Social Control in an African Society: A Study of the Arusha Agricultural Masai of Northern Tanganyika.  Boston University Press:  Boston,  1963.
Gulliver, P.H. "A Tribal Map of Tanganyika."  Tanzania Notes and Records.  Vol. 52, No. March, 1959, pp. 61-74.
Guth, E. "Die Sippe bei den Vaasu."  Evangelische Mission Magazine.  Vol. 12, No. 12, 1932, pp. 387-91.
Guth, W. "Der Bodengott der Asu."  Africa.  Vol. 4, No. October, 1939, pp. 450-9.
Gutmann, Bruno. Das Recht der Dschagga.  C.H.. Becksche Verlagsbuchhandlung:  Munchen and Berlin,  1926.
Gutmann, Bruno. Dichten und Denken der Dschagganeger.  Leipzig,  1909.
Gutmann, Bruno. Die Stammeslehren der Dschagga.  Munchen,  1932, 1935, 1938.
Habi, Ya'akub H. The People Called Bassa-Nge.  Ahmadu Bello University:  Zaria,  1987.
Hagenbucher-Sacripanti, Frank. Les fondements spirituels du pouvoir du royaume de Loango, Rèpublique populaire du Congo.  ORSTOM:  Paris,  1973.
Hall, H. U. "Baluba Chieftain's Staff."  Museum Journal (University of Pennsylvania).  Vol. 14, No. 3, 1923, pp. 192-197.
Hammond-Tooke, W. D. The Bantu-Speaking Peoples of Southern Africa, 2nd..  Routledge and Keegan Paul:  London,  1974.
Hanna, Judith Lynn and William John Hanna. "Heartbeat of Uganda."  African Arts.  Vol. 1, No. 3, 1968, pp. 42-45, 85.
Harley, George W. "Notes on the Poro in Liberia."  Papers of the Peabody Museum of American Archaeology and Ethnology, Harvard University.  Vol. 19, No. 2, 1941.
Harley, George W. Masks as Agents of Social Control in Northeast Liberia.  Peabody Museum:  Cambridge, Massachusettes,  1950.
Harper, Peggy. "Dance in a Changing Society."  African Arts.  Vol. 1, No. 1, 1967, pp. 10-13, 76.
Harries, Lyndon. The Initiation Rites of the Makonde Tribe.  The Rhodes-Livingston Institute:  Livingston,  1944.
Harris, Grace G. Casting Out Anger: Religion among the Taita of Kenya.  Cambridge University Press:  Cambridge,  1978.
Harter, Pierre. "Four Bamileke Masks: An Attempt to Identify the of Individual Carvers or Their Workshops."  Man.  Vol. 4, No. 3, 1969, pp. 410-18.
Harter, Pierre. "Les masques dit "Batcham"."  Arts d'Afrique noire.  No. 3, 1972, pp. 18-45.
Harter, Pierre. "Royal Commemorative Figures in the Cameroon Grasslands: Ateu Atsa, a Bangwa Artist."  African Arts.  Vol. 23, No. 4, 1990, pp. 62-69, 95, 96.
Harter, Pierre. Arts anciens du Cameroun.  Arnouville,  1986.
Hartwig, G. W. "East African Plastic Art Tradition: A Discussion of the Literature."  Geneve-Afrique.  Vol. 7, No. 1, 1968, pp. 48-52.
Hartwig, Gerald W. Oral Evidence and its Potential: The Example of the Tanzanian Kerebe.  Institute of African and Asian Studies, University of Khartoum:  Khartoum,  1979.
Hartwig, Gerald. "Sculpture in East Africa."  African Arts.  Vol. 11, No. 4, 1978, pp. 62-65, 96.
Hartwig, Gerald. "The Role of Plastic Art Traditions in Tanzania: The Northeastern Region.."  Baessler-Archiv. Neue Folge.  Vol. 17, 1969, pp. 25-51.
Harwood, Alan. Witchcraft, Sorcery and Social Categories among the Safwa.  Oxford University Press for the International African Insitute:  London,  1970.
Hassan, Salah. Art and Islamic Literacy Among the Hausa of Northern Nigeria. Lewiston, NY: Edwin Mellen Press, 1992.
Hassen, Mohammed. The Oromo of Ethiopia: A History 1570-1860.  Cambridge University Press:  Cambridge,  1992.
Hauenstein, Alfred. Les Hanya: Description d'un groupe ethnique bantou de l'Angola.  Steiner:  Weisbaden,  1967.
Hawley, John, ed. India in Africa and Africa in India: Indian Ocean Cosmopolitanisms. Bloomington: Indiana University Press, 2008.
Heldman, Marilyn, et al., editor.  African Zion: The Sacred Art of Ethiopia.  Yale University Press:  New Haven,  1994.
Herbert, Eugenia W. Iron, Gender and Power: Rituals of Transformation in African Societies.  Indiana University Press:  Bloomington and Indianapolis,  1993.
Herreman, Constantijn Petridis and Frank. Face of the Spirits: Masks from the Zaire Basin.  Ethnografisch Museum:  Antwerp,  1993.
Hersak, Dunja. "Powers and Perceptions of the Bifwebe."  in Iowa Papers in African Art, C. D. Roy, ed.  Vol. 3.  The University of Iowa:  Iowa City,  1990.  pp. 139-156.
Hersak, Dunja. Songye Masks and Figure Sculpture.  London,  1986.
Herskovits, Melville J. Dahomey: An Ancient West African Kingdom, Reprint.  Northwestern University Press:  Evanston, Ill.,  1938.
Herskovits, Melville J. The Backgrounds of African Art.  Biblo and Tannen:  New York,  1967.
Heurtebize, Georges. Quelques aspects de la vie dans l'Androy (extrème-sud de Madagascar).  Musée d'art et d'archéologie de l'Université de Madagascar:  Tananarive,  1986.
Heusch, École pratique des hautes études and Luc de, editor.  Chefs et rois sacrés.  Systèmes de pensées en Afrique noir, cahier 10.  École pratique des hautes études (section des sciences religieuses):  Paris,  1987.
Heymer, Kay, editor.  Tanzende Bilder: Fahnen der Fante Asafo in Ghana.  Kunst und Austellungshalle der Bundesrepublik Deutschland:  Bonn,  1993.
Hilberth, John. The Gbaya.  Institutionen for allman och jamforande etnografi:  Uppsala,  1973.
Hill, J. H. Ogboni Sculpture: A Critical Appraisal of its Creative Attributes.  Oxford University Press:  Oxford,  1967.
Hiltunen, Maija. Withcraft and Sorcery in Ovambu.  Finnish Anthropological Society:  Helsinki,  1986.
Himmelheber, Hans. "Les Masques Bayaka et Leurs Sculpteurs."  Brousse.  Vol. 1, 1939, pp. 19-39.
Himmelheber, Hans. Negerkunst und Negerkunstler.  Klinkhardt und Biermann:  Braunschweig,  1960.
Himmelheber, Hans. Zaire 1938/39: Photographic Documents on the Arts of the Yaka, Pende, Tshokwe, and Kuba.  Museum Rietberg:  Zurich,  1993.
Hirt, Jean-Michel. Le miroir du Prophète.  Bernard Grasset:  Paris,  1993.
Hiskett, Mervyn. The Course of Islam in Africa.  Edinburgh University Press:  Edinburgh,  1994.
Hjort, Anders, and Gudrun Dahl. Responsible Man: The Atmaan Beja of North-Eastern Sudan.  Stockholm Studies in Social Anthropology in cooperation with Nordiska Afrikainstitut, Uppsala:  Stockholm,  1991.
Hobsbaum, Eric and Terry Ranger. The Invention of Tradition.  Cambridge University Press:  Cambridge,  1983.
Hochegger, Hermann. Normes et pratiques sociales chez les Buma (République du Zaire).  CEEBA:  Bandundu,  1975.
Hodge, Carleton T., editor.  Papers on the Manding.  Mouton for Indiana University:  The Hague,  1971.
Hodgson, Dorothy. Being Maasai, Becoming Indigenous: Postcolonial Politics in a Neoliberal World. Bloomington: Indiana University Press, 2011.
Hoffman, Rachel. "Seduction, Surrender, and Portable Paradise: Dogon Art in Modern Mali."  In Secrecy: African Art That Conceals and Reveals, M. H. Nooter, ed.  Museum for African Art and Prestel:  New York,  1993.
Holas, B. "L'Imagerie Rituelle en Afrique Noire."  African Arts.  Vol. 1, No. 2, 1968, pp. 48-53, 86-87.
Holas, Bohumil. Le Gagou: Son portrait culturel.  Presses universitaires de France:  Paris,  1975.
Holas, Bohumil. Les masques Kono (Haute-Guinée française): Leur role dans la vie religieuse et politique.  Librairie orientaliste Paul Geuthner:  Paris,  1952.
Holas, Bohumil. Les Sénoufo (y compris les Minianka).  Presses universitaires de France:  Paris,  1966.
Holas, Bohumil. Les Toura: Esquisse d'une civilisation montagnarde de Cote d'Ivoire.  Presses universitaires de France:  Paris,  1962.
Holas, Bohumil. Sculpture sénoufo, 2nd..  Centres des sciences humaines:  Abidjan,  1969.
Holy, Ladislav. Afrikanische Plastik.  ARTIA:  Prague,  1967.
Holy, Ladislav. Form and Meaning of Masks in Three Mende Societies.  University Microfilms International:  Ann Arbor, Michigan,  1981.
Holy, Ladislav. The Art of Africa: Masks and Figures from Eastern and Southern Africa.  Paul Hamlyn:  London,  1967.
Holy, Ladislav. Zambian Traditional Art.  Zambian Information Services:  Lusaka,  1971.
Homberger, Lorenz, editor.  Yoruba Art and Aesthetics.  Museum Rietberg Zurich:  Zurich,  1991.
Hommel, William. The Art of the Mende.  The University of Maryland:  College Park, Maryland,  1974.
Horton, Robin. "Duminea, a Festival for the Water Spirits in the Niger Delta."  Nigeria Magazine.  Vol. 86, 1965, pp. 187-198.
Horton, Robin. "The Kalabari Ekine Society: A Borderland of Religion and Art."  in Peoples and Cultures of Africa, E. P. Skinner, ed.  Published for the American Museum of Natural History by Natural History Press:  Garden City, NY,  1973.
Horton, Robin. "The Kalabari World View: An Outline and Interpretation."  African Arts.  Vol. 32, No. 3, 1962, pp. 197-219.
Horton, Robin. Kalabari sculpture.  Department of Antiquities, Federal Republic of Nigeria: Nigerian National Press:  1965.
Hottot, Robert. "Teke Fetishes."  Journal of the Royal Anthropological Institute.  Vol. 86, 1956, pp. 25-36.
Houlberg, Marilyn Hammersly. "Ibeji Images of the Yoruba."  African Arts.  Vol. 7, No. Autumn, 1973, pp. 20-27, 91-92.
Houtondji, Paulin J. African Philosophy: Myth and Reality.  Indiana University Press:  Bloomington,  1983.
Huber, Hugo. "Magical Statuettes and their Accessories Among the Eastern Bayaka and their Neighbors (Belgian Congo)."  Anthropos.  Vol. 51, 1956, pp. 264-290.
Huet, Jean-Christophe. "The Togu na of Tenyu Ireli."  African Arts.  Vol. 21, No. 4, 1988, pp. 34-7, 90-1.
Huet, Michel. The Dance, Art and Ritual of Africa.  Pantheon:  New York,  1978.
Huffman, Thomas. "The Soapstone Birds from Great Zimbabwe."  African Arts.  Vol. 18, No. 3, 1985, pp. 68-73, 99, 100.
Hull, Richard W. "Benin Art as Power."  Tribal Art: Musée Barbier-Mueller.  No. Royal Art of Benin, 1992, pp. 5-20.
Huntingford, G. W. B. The Galla of Ethiopia: The Kingdoms of Kafa and Janjero, Reprint.  International African Institute:  London,  1969.
Huntingford, G. W. B., editor.  The Southern Nilo-Hamites.  The International African Institute:  London,  1953.
Huntington, Richard. Gender and Social Structure in Madagascar.  Indiana University Press:  Bloomington,  1988.
Huntington, W. R. "Death and the Social Order: Bara Funeral Customs (Madagascar)."  African Studies.  Vol. 32, 1973, pp. 65-84.